Mozart to Queen… and Everything in Between!$32 – $35
A Night of Opera
Saturday, February 22, 2020 7:30pm
Sandusky State Theatre
An evening of the elegance and beauty of operatic and musical theatre, a Night of Opera will take us on a musical journey through the centuries. We begin in 1786 with Mozart’s Marriage of Figaro, an opera buffa (opera comedy) with an Italian libretto written by Da Ponte. Then we’re on to the next century with a French opera by Donizetti; La Fille du Regiment (1840), popular at the time for its spectacular aria, “Ah! mes amis”, and made famous by Luciano Pavarotti, the King of the High C’s.
Guest artists, Laura Pederson and Christopher Bozeka will enchant us with their captivating performance. We will fast-forward into the 20th century as the FSO and Chorale perform “Bohemian Rhapsody”, a song made famous by British rock band Queen for their 1975 album, A Night at the Opera. We will, we will, rock you!
Saturday, February 22, 2020 7:30pm at Sandusky State Theatre
Conversation with the Conductor 6:30pm
Carl Topilow, Music Director and Conductor of FSO
Michael Shirtz, Director of FSC
Firelands Symphony Orchestra, Full Orchestra
Firelands Symphony Chorale
Laura Pedersen, Guest Soprano Singer
Christopher Bozeka, Guest Tenor Singer
Mozart to Queen… And Everything in Between! is made possible by the generous support of our sponsors.
Randolph J. and Estelle M. Dorn Foundation
Ohio Arts Council
Diane and Gary Ackerman
GUEST ARTIST SPONSOR
Patrick and Louise E. Murray Foundation
To Be Announced!
Click Below To Learn More
Opera was born in Italy more than 400 years ago during the Renaissance. It’s a combination of vocal and orchestral music, drama, visual arts and dance.Many consider Dafne, composed by Jacopo Peri in 1597, to be the first opera.
Could it be that as long as there is a story to tell and ideas to be aired, that opera will flourish? It is, after all, simply a heightened means of making sense of the painful, glorious, and complicated truths about the human condition.
This year Carl Topilow will be celebrating his 12th season as Firelands Symphony Orchestra Music Director and Conductor. His tenure with the orchestra has seen a dramatic improvement in the orchestra’s quality, a significant rise in subscriptions and concert attendance, and the appearance of world class soloists to our stage.In addition to his work with the FSO, Topilow is founding conductor of the Cleveland Pops Orchestra, leads the National Repertory Orchestra, a summer festival in Breckenridge, Colorado. He is Faculty Emeritus at the Cleveland Institute of Music. Topilow has appeared as guest conductor for more than 120 orchestras in 37 states and 12 foreign countries.
Topilow has assisted in the training of talented musicians and conductors for positions in orchestras in the United States and abroad and has supplied numerous young musicians the opportunity to perform as both orchestra members and soloists. His manner of presenting the music through musical illustrations and guides has enhanced the concert experience for audience members.
In addition to his work as conductor, Topilow continues to perform as clarinetist with orchestra as well as with piano in informal recitals.
Topilow’s wife Shirley is the President and CEO of the Cleveland Pops Orchestra. Their daughter Jenny is a violinist with the Charlotte Symphony Orchestra. Their daughter Emily is a recent graduate of Bowling Green State University, where she is majored in psychology and minored in marketing, and played in the BGSU Symphony Orchestra.
A jazz artist, composer, and conductor, Michael Shirtz is known for his versatility with contemporary and traditional music audiences. As a recording artist and producer, Shirtz performs regularly with his group, the Michael Shirtz Quintet, and has worked with such artists as Dave Brubeck, Elizabeth von Trapp, Melissa Manchester, among others, and currently writes and performs with Maureen McGovern. His passion for introducing jazz and American Music to audiences is evident in his shows AMERICA, Our Way, In Finding Faith and Blue Skies. His work in commercial music has led him to be an advocate for mental health awareness, arts education, and the creative economy.As a conductor, Shirtz has worked and performed with the Martin Luther King Festival Chorus, Columbus Symphony, African American Composers Festival, Donald Brinegar Singers, the California Philharmonic, Terra Choral Society, and festival choruses in California, Michigan, Ohio, Pennsylvania, West Virginia, and Tennessee. Shirtz has served on the faculty of the Conservatory of Music at Capital University, American Music Academy, Terra State Community College, Tri-C JazzFest & Performing Arts Series, and national workshops, conferences, and repertory theatre productions. Currently, Shirtz is the senior vice president of Entertainment & Programming at Lakeside Chautauqua where he serves as the artistic director for the Chautauqua Choral Festival and choral programs, director of the Firelands Symphony Chorale, conductor of the LIFT Choral Festival, partner with S&S Arts Strategies in Columbus, Ohio, artistic producer of the JAZZ@8 Series, and producer with the Jazz Education Network.
His compositions include selections for choir, jazz groups, orchestra, film, and large-scale works such as“Hymn to the Earth,” the cantata “The Solemn Blessings,” the oratorio “In God’s Light” and the collection Shades of Blue. Shirtz’s music is published by SMP and his text Essence of Influence and articles have been published by The Choral Journal and CSULA Publications. Shirtz holds a Bachelors of Music degree in jazz studies from Capital University and Masters of Music in conducting from California State University, Los Angeles. Shirtz is managed by OCM Productions and resides in Sandusky, Ohio, with his wife Pamela.
The versatile American singer Laura Pedersen brings to opera houses and to concert halls, an exciting lyric soprano voice, beauty and a rare ability to make each role come alive on stage.
In the 2011-2012 season, upcoming highlights are returning to Carnegie Hall with Opera Shorts Troupe in October, debuting in Reno with Donna Anna, in Don Giovanni and singing her first Beethoven 9 with Firelands Symphony Orchestra. Also this season, Laura reprised the role of Hanna Glawari with Opera Delaware, as well as with Cedar Rapids Opera Theater in her home state of Iowa, which was broadcast live on Public Radio, she returned to the Opera Shorts Troupe for a performance at Carnegie Hall to sing a couple works, one by Jake Heggie, debuted with Opera Panama her first Mimi in La Boheme, joining Opera Panama again just 6 months later in her debut as Tosca , and continued and continues performing concerts in the newly formed duo of Harp & Heels.
Highlights for Laura Pedersen in the 2009-2010 season were premiers of Figaro’s Hangover and Tempo Fuori del Tempo at Weil Recital Hall at Carnegie Hall. Laura sang her first Donna Anna with the Satori Opera and Laura returned to Indianapolis Opera as Musetta.
In the 2008-2009 season, Ms. Pedersen sang Musetta in La Boheme with Opera Cleveland, and Opera Delaware. She sang her first Antonia in Les Contes Hoffmann with the Indianapolis Opera. She also sang again with the Cleveland Orchestra in concert with MET tenor, Carl Tanner.
In the 2007 season, Ms. Pedersen sang in concert with MET tenor, Marcello Giordani, she also sang Violetta in La Traviata with the Florida Opera Theater, Micaela in Carmen with Sacramento Opera and Hannah Glawari in the Merry Widow at the Di Capo Theater in New York City.
Opera Now called Ms. Pedersen “compelling” in her portrayal of Susannah at the Di Capo Opera Theater in 2006. Other engagements this season included Verdi’s Messa di Requiem with the Sioux City Symphony conducted by Xian Zhang and Juliette in Romeo and Juliette with Cleveland Opera.
Highlights of the 2005 season included a debut with Maestro Erich Kunzel and the Cinncinati Symphony in a Pops Concert. Laura also sang Rosalinde in Die Fledermaus with Maestro Tim Rolek in Nevada and sang a world premiere of Jeffrey Prater’s Veni Creator Spiritus in Kaliningrad, Russia.
In the 2004 season Ms. Pedersen made her Carnegie Hall debut as the soprano soloist in Schubert’s Mass in G Major. Other orchestral appearances have included those with the Alabama Symphony Orchestra, The Owensboro Symphony and the Lima Symphony.
She debuted at Cleveland’s Blossom Festival in 2003, in a program of Foster and Copland songs and excerpts from La Traviata. Subsequently, Ms. Pedersen has been re-engaged for the last five summers at the Blossom Festival. Continuing in the 2003-4 season, Ms. Pedersen was heard as Donna Elvira in Mozart’s, Don Giovanni both in Europe and the Cleveland Opera. Her Violetta in La Traviata with the Indianapolis Opera drew immediate attention from both public and press; one music critic wrote that “she sang a well burnished Violetta, dominating all four acts, singing and acting the very difficult role debut superbly.” This success was followed by an immediate re-engagement with the Indianapolis Opera to sing in the company’s first production of Gounod’s Roméo et Juliette. In her debut as Juliette, Laura Pedersen gave a “dramatic interpretation blended with passion, humanity, intelligence, and depth” according to the Indianapolis Star.
Laura spent three years as a soloist with the Bremen Opera in Germany. While there, she appeared in such diverse roles as Maria in Bernstein’s West Side Story directed by English choreographer Rosamund Gilmore, and Norina in Donizetti’s Don Pasquale. She also sang the leading role of Marie Laurencin in the world premiere The Banquet composed by Maestro Marcello Panni with libretto by Kenneth Koch; this production was staged by award-winning director David Mouchtar-Samorai. Other engagements in Germany have included the role of Graziella in the world premiere of Detlev Glanert’s Joseph Suss, as well as performances of many standards including Le Nozze di Figaro, Cosi fan tutte, Carmen, and Die Fledermaus.
Tenor Christopher Bozeka is quickly becoming recognized for his “expressively captivating” performances as well as his “beautiful, piercing tone” (San Francisco Chronicle). In the 2018-19 season, Mr. Bozeka debuts with Wolf Trap Opera as Count Almaviva in Il Barbiere di Siviglia and with Opera Las Vegas as Nemorino in L’elisir d’amore. Next season, Mr. Bozeka returns to Houston Grand Opera to perform in La favorita, Aida, and Salome, and sings Nadir in Bottesini’s Ali Babawith Opera Southwest.
Recent engagements include the role of Tamino in Die Zauberflöte with Opera Theatre of St. Louis, Adolfo Pirelli in Sweeney Todd with Atlanta Opera, soloist in Beethoven’s Symphony no. 9 with New Albany Symphony, Evandro in Giovanni Simone Mayr’s Medea in Corinto with Teatro Nuovo, Rinuccio in Gianni Schicchi with Opera Project Columbus, and soloist in Britten’s Serenade for Tenor, Horn and Strings with Kinetic Ensemble (Houston). In the 2016-17 season, Mr. Bozeka returned to Houston Grand Opera as Nemorino in Donizetti’s L’elisir d’amore and Pedrillo in Mozart’s Die Entführung aus dem Serail. He also debuted with Opera Columbus Ohio as Pedrillo, Albany Symphony Orchestra as soloist in Beethoven’s Symphony No. 9, and Musical Bridges Around the World San Antonio as soloist in a Mozart Opera Gala.
During his association with the prestigious Houston Grand Opera Studio, Mr. Bozeka performed in Tosca as Spoletta, Carlisle Floyd’s new opera Prince of Players as Male Emilia, Le nozze di Figaro as Don Curzio, and The Little Prince as the Drunkard/Lamplight. He also performed Rinuccio with San Francisco Opera’s Merola Program in their production of Gianni Schicchi for which Opera News praised his, “handsome, open-throated rendering of Rinuccio’s aria,” and Castleton Festival’s production of Madame Butterfly as Pinkerton.
Christopher Bozeka is first place prizewinner of the 2014 Metropolitan Opera National Council District Auditions in Ohio, and second place winner in Houston’s Eleanor McCollum Competition in 2015. He received his master’s degree at the University of Cincinnati College–Conservatory of Music, where he appeared as Nemorino, Ferrando in Cosi fan tutte, Ernesto in Don Pasquale, and the Narrator in Owen Wingrave.